By Reverend AK-47

 
 

The true future of human sexuality has been in our hands for a long time, thanks to creative master mind of Jeff Gord. He is the only one that can make a woman more beautiful than anyone, by simply transform her in to an object. He’s the one that put science and technology straight into our everyday sex life, and man, in a way so true and so available that you would feel that there’s nothing out there like his work.

We know that humans evolve by their capacity of adaptation and transformation, well that’s what Gord does to the girls he’s working: you can enjoy woman being converted in to chairs, lamps, ponies, and every fucking object you can imagine. Forniphilia (the art of transforming humans in to furniture) it’s his weapon of choice and a total revolution in the industrial design world.

I won’t be afraid to affirm that Gord it’s the king of bondage, he’s work has class, a cinematic feel, rock and roll attitude, high tech stuff, and of course pretty horny girls. He is a fucking genius and he knows it, that’s why his work it’s no common BDSM.

So relax, go to www.houseofgord.com and check the great inventions this modern day Da Vinci has to offer, I assure you that you will be happy enough to realize your brain it’s getting an intellectual thrill. Welcome to a place where every object it’s alive and ready to have kinky/fun with you. But be patient because first you will have to listen and obey master Jeff Gord. Yeah!

 

 

 

1. Please, tell us how did you get so involved in bondage?
It was a natural progression from childhood images that turned me on, like women in net tights wearing calf boots, usually in Pantomimes like Puss in Boots or Jack and the Beanstalk when young women always played the part of the leading young man; - or the TV serial The Lone Ranger where indians would capture a lady and tie her up. Later The Avengers, and especially Steed became my role model in how men treat women, but I also loved all the bondage situations that Mrs. Gale, Tara King and Emma Peel managed to get themselves into. I was able to explore the dark side of my nature and feel comfortable with the fact that Steed would always come along and rescue them before they got hurt.

2. Your inventions are out of the ordinary, where do they come from?
My warped brain. I worked as a design engineer for a major scrap equipment manufacturers, and whenever I was called out to a problem that the fitters could not fix in a scrap yard, I always saw pieces of scrap that lent themselves to forming some sort of device to tie a woman to

3. Besides bondage do you have other activities as an inventor?
No :-) Don't need any others now. Originally I fooled around building dragsters and stuff, but now I only have the time for all the magnificent ladies who keep asking me to mount them on my machines.

4. Which would be the best advice to someone who is starting in ultra bondage?
Hmmm! ???? Start at base level with simple ties and use material that ladies find comfortable, like Vet Wrap or wide straps. If you are not sure about a piece of gear or a position, try it yourself and find out what you are going to be putting the ladies through first. I would also say that anyone even thinking of attempting the levels the House of Gord works at should have a degree in at least one major engineering subject. Through a strange series of work requirements over the years, I have in fact got degrees in Electrical, Hydraulic/Hydrologic, Mechanical and Civil engineering

 

 

 

5. Have you ever said: Fuck I would love to do that, but it’s impossible!
Not yet. I keep finding ways to make it happen. Maybe the weightless chick bondaged in space will take a while, but I'm working on it :-)

6. Which is the music that we can hear in Jeff Gord’s stereo?
Queen;- Bee Gees;- Abba;- Sting;- Annie Lennox;- Enya;- Sousa;- Motzart;- Holst;- Vivaldi,

7. Do you have a special type of girl that you prefer to work with?
They have to be smart; - have good sense of humor and laugh a lot; - adventurous; - outgoing; - curvy and flexible. Preferably in the 100lbs x 5' 0" to 6' 0" x 170 lb range

8. How much time does a piece of work takes? (Approximately)
Hours to months, depends on the equipment and the complexity, not to mention how many safety devices need to be worked out. Building the machine is often easy. Designing and building the safety aspects can take A LOT of time.

9. Which is the future for Forniphilia?
When I think up an new piece of furniture that a girl will fit into and wants to do, I will build it. Currently I am building the Ellison 2000 executive desk. It came from a story written by my good friend Orion. Judge Loomis (the character in the book) has this desk. At the press of a button, the foot stool (which is actually the hooded rubberized head of his secretary) rises out of the floor in a cylinder. The head stops at crotch level and the ball gag retracts. His seat then slides forward and he has a silent bound cocksucker on his dick as he works. When he has finished another press of the button gags her and sends her back into the floor. The secretary is of course fully latex sheathed, bound from head to toe and balanced on toe boots before she is set solid in the cylinder of foam. She also has inserts in both orifices that can be switched to vibrating pleasure and wriggly mode, or Tens shocks if she fails to please. All of the safety and design is now done. Two fabulous ladies want to do this for real, and so now all I have to choose is where I am going to cut the circular hole in the floor to locate the storage cylinder :-)

10. Who are your main influences as an artist: Architects, Inventors, and Designers etc.?
Artists. John Wille, Bob Bishop, Stanton: more modern artists would be Roberts, Ferres, Davo and Cagri

 

Click here to see the gallery
All images are property of Jeff Gord. All rights reserved.

This is an adult gallery. If sexually explicit material offends
you please leave. You must be 18 years old or older to watch it.
It shows the work of the artist and not represents necessarily
the point of view and artwork of www.atrocidades.net

 

   

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